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Skrein
-‘The Eat Up’
Label:
Dented Records
Release date – July 2, 2007
Format: CD Album
Web: www.myspace.com/skrein |
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| Witty
north London rude boy, MC Skeirn, is set to take
grab the UK hip hop scene by storm. The summer release
of his forthcoming album, ‘The Eat Up’
is a collaborative project featuring some of the
UK’s finest hip hop artists. With an impressive
line-up from Foreign Beggar to Plan B and a mix-up
production by Dag Nabbitt, turntable master DJ IQ
and new boy Kelakovski, grime plopping, in-your-face
spitting and toxic break beats are meticulously
combined. The heavy lyrical flow set against drops
of jazzy vibes and blade sharp scratches in songs
like ‘Bastard’, featuring Dubbledge,
encapsulate Skeirn’s playful sound. Cheeky
as hell, the MC’s rapping deals with women
behaving like cunts, the pressure of being one of
the ‘blaaad’ boyz and biggin’
up his own spitting talent. Sarcastic rhymes and
piss-taking is Skeirn’s game. Incorporating
a classic blend of hip hop, this tooth-grinding,
raw, eclectic MC brings a fresh individual style
to liven up the scene. |
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Skrein
feat DJ IQ and Graziella - The Weary Traveller
(Single Preview - mp3 audio) |
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| Fresh
from the London and New York underground club scene,
brothers L and L May have joined forces with NYC
top club promoter, Craig Louis Higgins Jr to create
an infectious pop/electro, indie first album. Titled
‘Hard Times On The Way’ the Black Daniel
trio have mixed their DJ skills to produce 13 catchy
tracks embedded in deep issues. Executed light-heartedly
by the accompaniment of repetitive electro-beats,
heavy bass line flows, with buoyant rhythms of la
la laaaas in songs like ‘Gimme What You Got’
(pull the trigger) make you want to jump off your
chair and jerk your head around. Their infusion
of electro-house beats to the rock reverberations
‘Children Caned Unable’ and ‘Information’
is what makes these guys completely different from
their indie counterparts. After a recent European
tour with Kasabian, Daniel Black’s future
should be all but what their album ‘Hard Times
On The Way’ suggests. |
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Abdominal
-‘Escape from the Pigeon Hole ’
Label:
Antidote Records
Release date – June 4, 2007
Format: CD Album
Web: www.myspace.com/mcabdominal
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Hardcore
pedal pushing rap is what this feel good record
is all about. Canadian MC, Abdominal’s twisted
lyrics spun under funk and jazzy grooves cycle
through your mind at a mad rate. Rapping to hyperventilate
is the Abdominal motto, confessed in ‘Breathe
Later’ and ‘Abdominal Workout’.
Sticking to old school rhymes which are funny,
clever and positively addictive, ‘Escape
from the Pigeon Hole’ is true to the form
of the D.A.I.S.Y era. Less about the mundane bling
and more conscientious intrigues, this is one
album you know you want to heavily blast out and
share with the rest of the world.
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Abdominal
- Radio Friendly (Single
Preview - mp3 audio) |
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Calvin
Harris - ‘Vegas’
Label:
Fly Eye
Release date – Out Now
Format: Limited edition 10”
Web: www.calvinharris.tv |
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| More
ridiculously infectious electro pop from Scottish
musician/producer Calvin Harris. With an album out
in the summer, and an arena tour supporting Faithless,
2007 looks set to be huge for this young man. This
is the second double A-side single to be released
on his own Fly Eye imprint and both ‘Vegas’
and ‘Merry Making At My Place’, again
prove this man’s talent for upbeat synthy
disco and witty observations, placing him firmly
in the year’s ‘most exciting artists’
category. |
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Calvin
Harris - Vegas (Single
Preview - mp3 audio) |
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The
Mighty Roars - Sellotape
Label:
One
Little Indian
Release Date: April 16, 2007
Format: CD Album
www.themightyroars.com
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| The
Mighty Roars debut release is one of the most hotly
anticipated of 2007, and thankfully ‘Swine
and Cockerel’ does not dissapoint. Twelve
tracks of spiky punk rock, that grab you by the
throat and shake you about like a rag doll. Big,
loud and in-your-face, bands like this often struggle
to translate the chaotic electricity of their live
shows on to their records, but Lara Granquist’s
desperate panting vocals and the super-charged guitars
and riotous drums are all there. It is relentless,
never letting up for a moment, the musical equivilant
of a smack in the mouth. The Mighty Roars are one
of those rare treats; a band who are actually worthy
of the hype. |
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The
Mighty Roars - Sellotape (Album
Preview - mp3 audio) |
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Robyn
- Robyn
Label:
Konichiwa Records
Release Date: April 2, 2007
Format: CD Album
www.robyn.com
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Scandinavian
pop sensation Robyn has come of age – or at
least that’s what her Management will have
you believe. A mega star in her native Sweden, she
released her debut at the tender age of 13, under
the tutelage of pop’s Midas, Max Martin. Cut
to today and we find a very different Robyn. Disillusioned
with the lack of artistic control afforded by a
major record deal, Robyn bought her way out of her
recording contract and started her own label, Konichiwa
Records. Robyn’ is the first album released
on her new label; bristling with an almost overblown
sense of empowerment and emancipation; it epitomizes
contemporary pop music, straddling genres and incorporating
styles and influences from across the musical spectrum.
It is spiky and sinister in parts, yet never strays
too far from its pop sensibilities.
The
enlistment of Klas Åhlund, the brains behind
Stockholm’s electro pop stalwarts, Teddybears
STHLM, and Karin and Olof Deijer aka The Knife,
brings with it enough electronic edge and kudos
to ensure the ‘it’ crowd are happy,
without ever alienating the Radio 1 listeners. It
is an unabashed exercise in all things ‘now’
and ‘cool,’ which unfortunately is also
its undoing. At times it smacks of someone trying
a little too hard, lacking that sense of effortlessness
that one often associates with Scandinavian pop.
That
is not to say there are not any good tracks on there.
The metallic 8-bit beats of ‘Konichiwa Bitches,’
- which comes off like a lost Nenah Cherry track
- and the inspired cover of Teddybears’ ‘Cobrastyle,’
will no doubt get some heavyweight remix treatment
in the coming months, as will the Furtado-esque
synth-pop thumper ‘Handle Me.’
On
the whole ‘Robyn’ is hit and miss, however
whilst by no means an essential addition to your
record collection, I defy anyone not to find at
least a few tracks they like on there. |
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The
Violets - Foreo
Label:
Angular Recording Corp
Release Date: February 12, 2007
Format: Single
www.theviolets.co.uk
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| The
Violets are the newest art-rock offering from uber-cool
New Cross (London) label, Angular Recording Corp.
New single Foreo is a driving post-punk affair with
a massive dose self-aware pretentiousness thrown
in for good measure. It is too early to tell exactly
where this band is going, but on the strength of
this single, it could be upwards. |
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The
Violets - Foreo (Single
Preview - mp3 audio) |
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The
Violets - Descend (Bonus
Preview - mp3 audio) |
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| No
one could accuse The Hussys of pushing the musical
envelope. Their pleasantly infectious pop rock isn’t
the most daring sound out there, but what they do,
they do well. Beautifully crafted 3-minute pop gems,
with catchy melodies that lodge themselves in your
brain, it will not be to everyone’s taste
– and to be honest, the four tracks here are
a little twee. The Hussy’s are one of those
bands that look set to become everyone’s guilty
pleasure; they won’t rock your socks off,
but they will probably darn them for you, while
you sit by the fire and drink Horlicks. |
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The
Hussys - We Expected (EP
Preview - mp3 audio) |
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The
Hussys - Tiger (EP Preview
- mp3 audio) |
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| Brooklyn’s
Matt & Kim are without a doubt, the most fun
band we have come across in a long time –
you need to see their videos to get the full effect
of the hyper synth power pop, this boyfriend/girlfriend
duo make. Forget the Mates of States comparisons
everyone levels at them, because thankfully this
band are not located firmly up their own backsides.
Fun is the order of the day; a mindset with which
they clearly approached their debut album ‘Matt
& Kim’. It is pretty simple stuff, but
that is not to say it is bad; rather, all indie
posturing and introspection has been left at the
door and in its place, are 11 tracks of propulsive,
freak-out quirkiness, designed to throw you around
the dance floor. |
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Little
Barrie -
Stand
Your Ground
Label:
Pias
/ Wall of Sound
Release Date: Out Now
Format: CD Album
www.littlebarrie.com
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Facing
the type of adversity which would have undoubtedly
seen the demise of a lesser band; the loss of
Little Barrie’s drummer – Wayne Fullwood
- in the past year has had quite the reverse effect
on the bluesy/soul/rock three piece. Seemingly,
it has instilled the band with a determination
which has resulted in the creation of one of 2007’s
first must-have albums. Little Barrie’s
sophomore offering, ‘Stand Your Ground’
is a remarkable example of triumph over adversity,
which saw the band recruiting some heavyweight
help in the process. Much of the album was produced
in New York under the watchful eye of genius beat
maker Dan ‘The Automator’ Nakamura,
with Russell Simms of the ‘Blues Explosion’
taking drumming duties during stateside recording
sessions. These two inspired hook-ups have given
Little Barrie a far more streamlined sound. Fans
of the band’s debut album ‘We are
Little Barrie’ need not fear; the original
template is still intact - funky as hell with
the same bruised soulful vocals - and the influences
are still clear. There has simply been a subtle
shift from the overtly retro lo-fi filtered sound
of the first album, in favour of a crisper more
rounded sound. Gun for hire, Barrie Cadogen’s
virtuoso freelance fretwork for Primal Scream
and Morrissey has clearly not gone to waste; ensuring
a pleasantly surprising evolution in a band that
could have easily become a one trick pony. Soul
for the 21st century. |
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Little
Barrie - Pin that Badge (Album
Preview - mp3 audio) |
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The
Sounds - Dying to Say This to You
Label:
Korova
Release Date: March
19, 2007
Format: CD Album
www.the-sounds.com
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No country other than Sweden could
produce a band like the Sounds. Their new wave power
pop is camper than a row of tents, yet manages never
to end up in that smarmy wink-wink, nudge-nudge,
Scissor Sisters territory. This is in no small part
thanks to Maja Ivarsson, the silver-maned banshee
of a lead singer whose earnest vocals ensure a balance
– if at times a little shaky - to the band’s
penchant for the ‘synth-tastic.’
The
Sounds’ new album ‘Dying to Say This
to You’ is eleven tracks of upbeat synth-pop
goodness, which in the hands of lesser mortals –
non Swedes - would probably die on its arse, but
then you realise that special ingredient…conviction.
They mean every word and every note of it. It is
a big lightening bolt of rock and roll, shot from
Thor’s hammer and you either get on board
or fuck off, because they don’t really give
a shit. It is music to get drunk to and sing from
the roof of a bus shelter. The nearest thing this
stuff has to cerebral connotation is the number
of brain cells you will destroy getting drunk and
listening to it. Expect to see them on pub jukeboxes
in the very near future. Marvellous. |
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The
Sounds - Tony The Beat (Video
Preview - mov.flie) |
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The
Scratch Perverts have been responsible for numerous
mix albums over the years most of which have been
outstanding. Unfortunately, ‘Watch the Ride’,
does not fall into this category, definitely being
one of the weaker offerings in recent memory.
Whilst
the assorted tracks display the type of eclecticism
we have come to expect from the Scratch Perverts,
there is little to suggest much thought went into
the record beyond this. As a mix, it is fairly pedestrian;
lacking both ambition and cohesion, with a few sporadic
stabs and flares here and there, it does not make
for a particularly impressive mix, especially when
you consider the collective skills on offer here,
and the quality of past mix projects. On the whole,
you can’t help but feel a little cheated.
‘Watch
the Ride’ is by no means the best mix you
will hear from the Scratch Perverts. Their mixes
for the Badmeaningood and the Fabric series both
spring to mind as far more worthy illustrations
of the undeniable skills of these world-class turntablists. |
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After
the commercial failure of their first album –
which subsequently led to the East End grime crew’s
departure from Relentless records – Roll Deep
return with the hugely ambitious and accomplished,
‘Rules and Regulations’, which sees
the boys go back to the drawing board to create
what is undoubtedly the most important grime record
of the past two years.
Perhaps
most encouraging is that this is only the first
of two commercial releases from Roll Deep this year.
The crew’s time in the studio has clearly
been well spent as the tracks presented here represent
only a fraction of the material the crew have amassed,
all of which looks to be a vast improvement on their
debut, ‘In at the Deep End’.
With
many dismissing grime as stagnant and over hyped,
it is encouraging to see there are still those who
are willing to push and experiment with the genre.
With production from the likes of Wiley, Target
and Danny Weed and lyrical duties falling to Flowdan,
Scratchy, Whiley and Skepta amongst others, this
album showcases some of the best talent the UK has
on offer right now. Standout tracks include ‘Badman’,
‘Babylon Burner’ and ‘Stampers’,
but it is the quality and consistency of this album
as a whole, which is most impressive.
People
beware, Roll Deep are back and they have just set
an entirely new standard for British urban music
in 2007. |
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